19-year-old preparing for UPSC gang-raped in Bhopal for 3 hours

News Network
November 3, 2017

Bhopal, Nov 3: For three hours, a 19-year-old college girl was tied up and raped by four men, who took breaks for tea and gutka before returning to assault her repeatedly under a bridge in the heart of Bhopal.

What happened after the rapists let her go was no less horrifying. Three police stations refused to take her complaint — although both her parents are in police — and a GRP officer mocked her for "coming with a filmy story".

The parents — her father is a sub inspector with a security force and mother with the CID — and the girl nabbed two of the suspects in a dramatic daylight scuffle on Wednesday. Only then was a complaint registered. An embarrassed police force suspended SI R N Tekam of MP Nagar police station on Thursday for not accepting her complaint.

The horrifying gang rape has shaken Bhopal, where people take pride in their city as one of the safest for women. The spot where she was raped has some of the busiest roads and rail tracks — the bustling Habibganj station is just 100 metres away, and an RPF post just 50m away. Thousands of cars drove past just 100 metres from where she was stripped, tied up and raped repeatedly. Yet, no one heard a thing.

The survivor shuttles between her hometown, about an hour's journey from Bhopal, every day as she is preparing for the UPSC exams.

On Tuesday evening, the complaint notes, after her coaching classes got over, she began her short walk along the tracks towards Habibganj station. Around 7pm, a man now identified as Golu Bihari Chadhar — out on bail after being charged in her infant daughter's murder — grabbed her by her hand. She kicked out and felled him. Angry, Golu called out to an accomplice, Amar Ghuntu, and the two of them started dragging her towards a nullah. The girl kept fighting and hit both of them with a stone.

Furious, they hit her with a stone as well, tied her up, and raped her. After around 15 minutes, Golu went to fetch gutka and cigarettes, the complaint notes, leaving Amar to watch over her. Amar and Golu are brothers-in-law and married to two sisters.

The girl asked for some clothes because hers had been torn to shreds. Golu went back and got some clothes, perhaps of his wife's — and also brought along two others to join in. She was raped again, this time Rajesh and Ramesh allegedly joining the other two. The horror went on till 10pm when the brothers-inlaw finally allowed her to dress and leave — but after she had handed over her earrings, watch and phone.

She somehow walked to the RPF outpost at Habibganj station and called her parents. Her father was already looking for her. Seeing how traumatised she was, he took her home. The next morning, the family went to MP Nagar to file a complaint. An SI went to check the spot and told them to go to Habibganj police station, staff from where redirected them to Habibganj GRP. It is at the third stop that an officer mocked the girl, saying she was "making up a filmy story".

"While coming from Habibganj, my daughter saw two of the rapists loitering in front of Mansarowar Complex, which is around 500 metres from the spot of crime," said the mother. The cop parents and the feisty survivor chased down Amar and Golu and nabbed them. "We handed over the duo to GRP Habibganj," said the mother.

"It's one of the worst experiences of my life. If I, as a policewoman, have to face such problems in filing my daughter's gangrape complaint, I can't imagine what a common man goes through," said the mother. "SHO GRP Mohit Saxena and SI Uikey misbehaved with us and said they wouldn't file any case. SI Uikey alleged that we were making a 'false filmy complaint'," she added.

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News Network
January 20,2026

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KCF, a global socio-cultural organisation of Karnataka expatriates, is actively involved in education, humanitarian initiatives and community well-being across several countries. The awardees were selected following a structured evaluation of nominations by the Annual Council Program Committee, based on the depth, consistency and long-term impact of their social service.

One of the award recipients, Abdul Razak Haji, a prominent UAE-based entrepreneur from the Qamcon Group of Companies, was honoured for his significant contributions to society. Through both his professional journey and personal initiatives, he has supported numerous employees and families, while also extending assistance in education, housing for the underprivileged and various charitable causes, largely carried out quietly over the years. His award was presented earlier during the Annual Council Program held at the KCF Abu Dhabi office.

The second award was conferred on Latheef Kakkinje, a young social worker based in Abu Dhabi, in recognition of his active involvement in community engagement programmes, sports initiatives, talent festivals and family-oriented social activities. His consistent volunteering efforts and commitment to humanitarian causes were highly appreciated by the selection committee.

The award presentation ceremony for Latheef Kakkinje was held at the Zayed Cricket Stadium (Astro Turf Ground) in the presence of Kedumbady Ibrahim Saqafi, President of KCF UAE; Ibrahim, General Secretary; Kabeer Bayambady, President of KCF Abu Dhabi; Ummer Ishwaramangila, General Secretary; along with other members of the KCF Abu Dhabi cabinet.

Congratulating both awardees, KCF leaders reiterated the organisation’s commitment to recognising individuals who selflessly work for social upliftment and community service.

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coastaldigest.com news network
January 19,2026

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Bengaluru: As the dust settles on the recent legislative session, the corridors of Vidhana Soudha are buzzing with more than just policy talk. A high-stakes game of political musical chairs has begun, exposing a deepening rift within the Congress party’s Muslim leadership as a major Cabinet reshuffle looms.

With the party hierarchy signaling a "50% refresh" to gear up for the 2028 Assembly elections, the race to fill three projected Muslim ministerial berths has transformed from a strategic discussion into an all-out turf war.

The "Star Son" Spark

The internal friction turned public this week following provocative remarks by Zaid Khan, actor and son of Wakf Minister Zameer Ahmed Khan. Zaid’s claim—that his father "helped" secure a ticket for Shivajinagar MLA Rizwan Arshad in 2023—has acted as a lightning rod for resentment.

Rizwan’s camp was quick to fire back, dismissing the comment as a desperate attempt by Zameer to manufacture seniority. "Rizwan’s political pedigree was forged in the NSUI and Youth Congress long before Zameer even stepped into the party," a supporter noted, highlighting Rizwan’s tenure as an AICC secretary and his two-term presidency of the State Youth Congress.

A Tale of Two Loyalists

While both Zameer Ahmed Khan and Rizwan Arshad are staunch allies of Chief Minister Siddaramaiah and represent Bengaluru strongholds, their political DNA could not be more different:

•    Zameer Ahmed Khan: A four-time MLA who crossed over from JD(S) in 2018. Known for his "overzealous" and often polarizing outreach during communal flashpoints—from the DJ Halli riots to the recent Wakf land notice controversy—his style has frequently left the Congress high command in a state of "discomfort."

•    Rizwan Arshad: A homegrown organizational man. Seen as a "quiet performer," Arshad represents the sophisticated, moderate face of the party, preferred by those who find Zameer’s brand of politics too volatile.

The Outsiders Looking In

The bickering isn't limited to a duo. The "Beary" community, represented by leaders like N A Haris and Saleem Ahmed, is demanding its pound of flesh. Saleem Ahmed, the Chief Whip in the Legislative Council, has dropped the veil of diplomacy, openly declaring his ministerial aspirations.

"I was the only working president not included in the Cabinet last time," Saleem noted pointedly, signaling that the "loyalty quota" is no longer enough to keep the peace.

As Chief Minister Siddaramaiah prepares to finalize the list, he faces a delicate balancing act: rewarding the aggressive grassroots mobilization of Zameer’s camp without alienating the organizational stalwarts and minority sub-sects who feel increasingly sidelined by the "Chamarajpet-Shivajinagar" binary.

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News Network
January 23,2026

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The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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