Netflix’s ‘A Suitable Boy’ & Modi era

Safiyat Naseem
November 9, 2020

Recently binge-watched a six part mini series directed by Mira Nair on Netflix, titled “A Suitable Boy”, an adaptation of Vikram Seth’s novel of the same title. And while I am neither a movie critic or reviewer, nor a fan of watching series with a backdrop of the post Independence era, I was still moved to write about it. To lay down my emotions on paper with nothing but words. It isn’t extra-ordinary, or brilliantly amazing, neither the characters are made to grow on you nor the plot is meticulously twisted, then what was it, you may ask.

It was Relatable, I would remark.

I usually don’t prefer series or movies that lay down the post Independence India theme with 1950s timeline because I don’t relate to it’s story or characters, and I don’t know if I watched it for Tanya Manikalata who played the character of Lata in the series or the fact that this series was on number 1 on Netflix, but I know for sure that I don’t regret watching it.

Being an Indian Muslim Women, it was shocking or rather depressing to relate to the newly Independent India even after 73 years. The political clashes, the Hindu-Muslim riots, the hatered based on religion, the stigma layed down on love between hindu and muslim, lack of women empowerment and discrimination, what was there is still here, now and growing more than ever.

It’s been 73 years and we as a Nation are still dealing with the same issues, we haven’t grown together, the lack of secularism is till there, the hatred and fear still reside or worse, it’s reoccurring.

When in the first episode the issue of Mosque was depicted, where the muslims demanded a peaceful place to pray, for those who still stayed in India, and the Raja started establishing a mandir in its direction to make them deprived of this right, I remembered the recent demolition of Babri Masjid and the Supreme Court’s judgement and acquittal of the accused.

As Maan went to the village with Rasheed, and acknowledged the miseries of farmers and labourers, the atrocious behaviour towards womens and workers, it wasn’t surprising or new. I thought about the Farm Bill 2020, the egregious condition of the working class amidsts pandemic, the walks they took barefoot and with empty bellies to go back to their hometowns as they were dealing with unemployment, lack of resources and ignorance of the Government and society. I remembered the Hathras case and other numerous sexual harassment as well as domestic violence cases. How I wish to get shocked by the problems of 1950s shown in the series, but unfortunately I was’t, I am rather acclimated to it. I have been there, heard it, been a part of it…even after 73 years, I have still seen it.

And as Rasheed told Maan “Aur bhi dukh hain Zamane mai mohabbat ke siva” (There are many other sorrows in this world besides love)… Indeed Rasheed, Indeed.

In the later episodes, as a communal riot emerged as Muslim and Hindu mobs were crossing roads, and one of them pushed the other, my mind instantly went towards the Delhi Riots. As Maan and Firoz were running together to save their lives, I connected with them and my eyes filled with tears as I remembered the misfortunate event that took place in Jamia Millia Islamia on 15th December 2019. Being a Jamia Student I remembered hiding under the table in the old library of my campus where Delhi Police showered us with tear gas shells.

When Maan and Firoz gets caught by the angry mob, and one of them asked Maan to say Gayatri Mantar to prove he’s not a muslim, and Maan obliged and did the same to save his and Firoz’s life, but Firoz couldn’t say it being a Muslim. I remembered the viral video on the internet that showed two people in the car, forcing a Muslim man to say Jai Mata Di, and were constantly abusing him.

As the main plot evolves, we see Lata falling in love with his schoolmate whose name’s not known up until the time when Lata’s friend warns her to not meet the guy, as he a Muslim, named Kabir Durrani. But Lata follows her heart and as predicted her mother took her away from the city to find her a suitable boy, and definitely not a Muslim. Tanishq’s advertisement flashed across my mind, the controversy revolving around how it depicts so called ‘love jihad’, whereas all it does is showcase communal harmony, and how they had to shut down the ad because apparently it hurts the “sentiment” of people. It’s been 73 years, and communal harmony still hurts the sentiment?

In the first episode, as the establishment of the mandir was taking place, it was already mentioned that there were bound to be protests regarding the same, still the government didn’t uphold the security levels and gave direct orders to shoot if the protesters didn’t stop. Not shockingly, it was a peaceful protest until the police started shooting, 20 people died. And as we see later in the Parliament meeting, the government was nonchalant to this action of police. Remember again, the attack on Jamia Millia Islamia, peaceful protest, tear gas shells and bullets… similar isn’t it? Potato-Patato, same thing…no?

Well, I believe nothing much has changed, the situation in 1947 and Modi era are almost the same, one way or the other. Except that in 1947, India was a newly democratic and independent country where freedom of speech was introduced, Jamia was a symbol of resistance and nationalism and people were the priority of the government. Whereas in Modi era, India is a newly non-democratic country, where freedom of speech is a myth, Jamia is an anti-national University, Islam is terrorism, people are least of the priority and Modi is God.

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News Network
January 20,2026

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Iranian security and intelligence forces have captured more than 470 individuals in three provinces, identified as key figures behind the recent wave of violent unrest and terrorist activities linked to foreign-backed networks.

The Intelligence Ministry's provincial office in Khorasan Razavi announced on Monday the arrest of 192 armed terrorists, identified as the main agents behind recent riots in the region. 

According to an official statement, the detainees were involved in the killing of several security personnel and civilians, setting fire to mosques, public service facilities, and buses, as well as attacks on military and law enforcement centers.

The seized items from the group include several bulletproof vests, Kalashnikov rifles, hunting weapons, Winchester rifles, and various cold weapons such as daggers, swords, brass knuckles, tactical knives, crossbows, and chains.

Evidence indicates that some of the individuals were tied to hostile movements and terrorist organizations, with links overseas. Others were identified as members of violent criminal gangs, actively taking part in the unrest alongside their associates.

Simultaneously, in the western province of Lorestan, the IRGC announced the arrest of 134 individuals as the main leaders and influential field agents of a US-Israeli terrorist network.

The IRGC statement stated that these individuals formed terrorist cells during the recent unrest, committing "Daesh-like" acts.

They wounded security forces with firearms and cold weapons, and burned and destroyed public and private properties, including mosques, shops, banks, and private and public vehicles.

In the northwestern province of Zanjan, the police reported detaining 150 people identified as principal leaders and agents behind recent riots.

Authorities noted that these individuals were responsible for destroying public and private property and intentionally setting fire to vehicles in the province's squares.

Their crimes include shedding the blood of innocent people, destroying public and private property, attempting to enter military sites, disrupting public order, and spreading terror among citizens.

A variety of cold weapons were reportedly seized from the detainees.

What began late last month as peaceful protests over economic hardship across Iran turned violent after public statements by US and Israeli regime figures encouraged vandalism and disorder.

During the unrest, foreign-backed mercenaries rampaged through cities, killing security forces and civilians and damaging public property.

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News Network
January 28,2026

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Mumbai: The sudden death of Maharashtra Deputy Chief Minister Ajit Pawar in a plane crash in his hometown of Baramati has plunged the state into political uncertainty, raising a pressing question for both the Nationalist Congress Party (NCP) and its rival faction, the Nationalist Congress Party (Sharadchandra Pawar): what next?

For the two factions that emerged after the dramatic split of June–July 2023, the moment marks their gravest challenge yet. Many believe the answer now rests with party founder Sharad Pawar.

Sharad Pawar, who founded the NCP in 1999 after parting ways with the Congress over Sonia Gandhi’s foreign origin, has already indicated his intention to step away from electoral politics once his Rajya Sabha term ends in April 2026.

Speaking at a public event in Baramati ahead of his 85th birthday on December 12, 2025, Pawar said he would not contest any further elections. “I have contested 14 elections. The younger generation needs to be given an opportunity,” he said, adding that he would decide later whether to seek another Rajya Sabha term.

Often described as the Bhishma Pitamah of Indian politics, Pawar also spoke of his gradual withdrawal from active leadership. “For the first 30 years, I handled everything. For the next 25–30 years, Ajit Dada handled responsibilities. Now, arrangements must be made for new leadership,” he said.

Ajit Pawar’s death has dramatically altered that transition, especially as he was working towards reunifying the two NCP factions.

“After the developments of June–July 2023 and the 2024 Lok Sabha and Vidhan Sabha elections, there were deep changes within the family and the party. In the last six months, serious efforts were made to reunite. Even workers from both sides wanted unity. This is a massive blow,” a Pawar family insider told DH over phone from Baramati.

Electoral outcomes over the past year reflected the split. In the 2024 Lok Sabha elections, NCP (SP) recorded the best strike rate in Maharashtra, winning eight of the 10 seats it contested. The NCP, by contrast, won just one seat out of four.

However, the trend reversed in the subsequent Vidhan Sabha elections, where the NCP emerged stronger, securing 41 of the 288 seats, while NCP (SP) managed only 10.

Within NCP (SP), Sharad Pawar’s daughter Supriya Sule serves as Working President, followed by leaders such as Rohit Pawar, state president Shashikant Shinde and former state chief Jayant Patil.

In the NCP, Praful Patel is the Working President and Raigad MP Sunil Tatkare heads the state unit. Ajit Pawar’s wife, Sunetra Pawar, is a Rajya Sabha MP, while their sons Parth and Jay are not actively involved in day-to-day politics. Parth Pawar briefly entered electoral politics in 2019 but lost the Lok Sabha election from Maval. Jay Pawar’s political debut was under consideration.

With Ajit Pawar gone, speculation has intensified that a member of the family may be asked to assume a larger role. For now, Sunetra Pawar is expected to play a key coordinating role in party affairs, alongside Patel and Tatkare.

The NCP continues to have several heavyweight leaders, including Chhagan Bhujbal, Hasan Mushrif, Dattatreya Bharne, Manikrao Kokate and Dhananjay Munde.

Ajit Pawar had already begun steps towards reconciliation between the two factions. While they contested the Pune and Pimpri-Chinchwad municipal elections separately, they later decided to fight the zilla parishad elections together under the ‘clock’ symbol—seen as the first formal step towards reunification.

Nagpur meet and party roadmap

Both NCP factions claim adherence to the ideology of ‘Shiv–Shahu–Phule–Ambedkar’. At the Rashtravadi Chintan Shivir held in Nagpur on September 19, 2025, the NCP reaffirmed its commitment to sarva dharma sambhav and discussed strengthening ties with the BJP “for the welfare and development of Maharashtra”.

In recent days, reports had suggested Ajit Pawar might return to the Maha Vikas Aghadi following the party’s poor performance in Pune municipal elections, but these claims were denied.

Big question for Maha Yuti

Ajit Pawar’s death also presents an immediate challenge for the Devendra Fadnavis-led Maha Yuti government. Pawar held crucial portfolios, including Finance, Planning and Excise. With the Budget Session approaching, appointing a new Finance Minister has become urgent.

Beyond numbers and portfolios, Maha Yuti has lost a swift decision-maker known for his administrative grip and political finesse—leaving a vacuum that will not be easy to fill.

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News Network
January 23,2026

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The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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