Delhi Fashion Designer Was Killed by the Man She Helped Get Out of Jail

Agencies
November 17, 2018

New Delhi, Nov 17: Fashion Designer Mala Lakhani wound up a long conversation with her sister, saying she would call back after watching "Bigg Boss" but that was never to be. About an hour later, she was killed, allegedly by her own tailor who she had helped get out of jail, her sister Aarti Sharma said on Friday.

It was 'Meenu', as Mala was known in her family, who helped get Rahul out of jail when he was arrested for molestation, Aarti murmured, almost as if talking to herself.

Three men have been arrested in connection with the murder — Mala's master tailor Rahul Anwar (24), his cousin Rahmat (24) and his friend Wasim (25).

Rahul was arrested in 2017 for allegedly molesting a minor girl in Rangpuri Pahari area, police said.

"She would always say that Anwar is like my 'bachcha'," Aarti said.

Aarti was inconsolable, standing outside the Safdarjung Hospital mortuary to claim the body of her 53-year-old sister, who was found brutally stabbed to death along with her domestic help Bahadur in her bungalow in upscale Vasant Kunj Enclave in the early hours of Thursday.

"I had spoken to her at around 8.15 pm (on Wednesday). I spoke to her again and we ended up talking till 9.50 pm. She wanted to speak to my daughter but later said she will call us after 'Bigg Boss' gets over. But she never called back," Aarti said.

It is hard to believe that Rahul stabbed her so brutally and did not even spare her face, Aarti said, standing outside the hospital with her husband Rahul Sharma, the first person to see the bodies with multiple stab injuries in the workshop of the sprawling home.

The bodies of Mala, who ran a boutique called Tulsi Creations in Green Park, and 50-year-old Bahadur, a Nepalese national, were found with at least 18 stab injuries each.

After the killings, allegedly following a long-standing dispute over unpaid dues, the accused looted jewellery worth lakhs of rupees and ransacked the house, police said, estimating that the incident took place between 10 pm and 11.30 pm on Wednesday.

Around 2.45 am on Thursday, the three men went to the police station to confess to the crime.

"They had even inflicted stab injuries on her face and it was hard to recognise her. She was very conscious about her appearance but look what they did to her... Bahadur's intestines were visible. The workshop where the murders took place had blood splattered all over the floor," Rahul Sharma said.

Mala had even bought Rahul a motorcycle so he could commute to work.

Aarti also ran a boutique. About a year ago, Rahul visited her boutique to ask for work and did not inform her that he worked with her sister.

"I only learnt about it recently when one of my employees told me. I had never met Anwar in person before," she said.

She said she was aware of the monetary dispute between them and had discussed it in detail with Mala.

"Anwar wanted extra money for every cloth he stitched. They wanted some Rs 50 extra per piece for stitching. Since it was a meagre amount, we would have sorted it. We had never thought they would hatch a conspiracy to kill her over it. In fact, it was Rahul who told police about Aarti and her boutique. That's how police contacted me to inform me about the incident," she added.

The sisters had planned to meet on Sunday but an unexpected visit from a relative meant that they could not.

 "Meenu's winter clothes had been kept in a cupboard in the storeroom where Bahadur used to sleep. The storeroom was next to the workshop where the incident happened.

"She was opening those cupboards on Wednesday to take out her things. Rahul must have thought she had kept cash in those cupboards, which is why they ransacked that room after killing Meenu and Bahadur," Aarti said.

Bahadur would always tell Mala that "we will die together". The words of Bahadur now almost seem prophetic,” Aarti said.

Police informed the family that the three accused allegedly searched Bahadur's room for money and were expecting to get Rs 30 lakh-40 lakh but did not find any cash.

"Bahadur would always joke that he will die along with Mala since he has been with us since our childhood. It's unfortunate that they both were killed so brutally," the sister added.

Bahadur, a Nepalese national, had been with them for the last 45 years and was “like a brother” to them.

"He was an integral part of our family. He would be angry and instruct us like a brother," Aarti said.

Aarti's husband recalled Bahadur as a very emotional person and remembered how he would call them by their first name.

"He would take care of the house and of every one of us. We trusted him. He would hardly keep a tab on his salary it was usually deposited in his bank account," Sharma said.

Recalling Mala, Sharma said she wanted to get out of her monotonous life.

"She wanted to enjoy her life. She had made enough money and now wanted to travel the world. She had become healthier and took lot of care about her skin and looks," Sharma said.

The family would caution Lakhani against keeping so many people in her house since she lived alone but she would always say, "my home is my mandir".

"I would speak to Meenu at least four times in a day and we met once a week," an inconsolable Aarti said.

Mala was planning to leave designing and wanted to retire and pursue other interest, she said.

"Mala was planning to learn pot,tery and for that she was planning to buy a villa in Goa. She and my elder daughter were planning to shift to Goa. My sister and daughter were like buddies. They were very close to each other", Aarti said.

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News Network
January 23,2026

Karnataka Governor Thaawarchand Gehlot read only three lines from the 122-paragraph address prepared by the Congress-led state government while addressing the joint session of the Legislature on Thursday, effectively bypassing large sections critical of the BJP-led Union government.

The omitted portions of the customary Governor’s address outlined what the state government described as a “suppressive situation in economic and policy matters” under India’s federal framework. The speech also sharply criticised the Centre’s move to replace the Mahatma Gandhi National Rural Employment Guarantee Act (MGNREGA) with the Viksit Bharat–Guarantee for Rozgar and Ajeevika Mission (Gramin) Act, commonly referred to as the VB-GRAM (G) Act.

Governor Gehlot had earlier conveyed his objection to several paragraphs that were explicitly critical of the Union government. On Thursday, he confined himself to the opening lines — “I extend a warm welcome to all of you to the joint session of the State legislature. I am extremely pleased to address this august House” — before jumping directly to the concluding sentence of the final paragraph.

He ended the address by reading the last line of paragraph 122: “Overall, my government is firmly committed to doubling the pace of the State’s economic, social and physical development. Jai Hind — Jai Karnataka.”

According to the prepared speech, the Karnataka government demanded the scrapping of the VB-GRAM (G) Act, describing it as “contractor-centric” and detrimental to rural livelihoods, and called for the full restoration of MGNREGA. The state government argued that the new law undermines decentralisation, weakens labour protections, and centralises decision-making in violation of constitutional norms.

Key points from the unread sections of the speech:

•    Karnataka facing a “suppressive” economic and policy environment within the federal system

•    Repeal of MGNREGA described as a blow to rural livelihoods

•    VB-GRAM (G) Act accused of protecting corporate and contractor interests

•    New law alleged to weaken decentralised governance

•    Decision-making said to be imposed by the Centre without consulting states

•    Rights of Adivasis, women, backward classes and agrarian communities curtailed

•    Labourers allegedly placed under contractor control

•    States facing mounting fiscal stress due to central policies

•    VB-GRAM (G) Act accused of enabling large-scale corruption

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News Network
January 23,2026

oscar.jpg

The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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