Netflix’s ‘A Suitable Boy’ & Modi era

Safiyat Naseem
November 9, 2020

Recently binge-watched a six part mini series directed by Mira Nair on Netflix, titled “A Suitable Boy”, an adaptation of Vikram Seth’s novel of the same title. And while I am neither a movie critic or reviewer, nor a fan of watching series with a backdrop of the post Independence era, I was still moved to write about it. To lay down my emotions on paper with nothing but words. It isn’t extra-ordinary, or brilliantly amazing, neither the characters are made to grow on you nor the plot is meticulously twisted, then what was it, you may ask.

It was Relatable, I would remark.

I usually don’t prefer series or movies that lay down the post Independence India theme with 1950s timeline because I don’t relate to it’s story or characters, and I don’t know if I watched it for Tanya Manikalata who played the character of Lata in the series or the fact that this series was on number 1 on Netflix, but I know for sure that I don’t regret watching it.

Being an Indian Muslim Women, it was shocking or rather depressing to relate to the newly Independent India even after 73 years. The political clashes, the Hindu-Muslim riots, the hatered based on religion, the stigma layed down on love between hindu and muslim, lack of women empowerment and discrimination, what was there is still here, now and growing more than ever.

It’s been 73 years and we as a Nation are still dealing with the same issues, we haven’t grown together, the lack of secularism is till there, the hatred and fear still reside or worse, it’s reoccurring.

When in the first episode the issue of Mosque was depicted, where the muslims demanded a peaceful place to pray, for those who still stayed in India, and the Raja started establishing a mandir in its direction to make them deprived of this right, I remembered the recent demolition of Babri Masjid and the Supreme Court’s judgement and acquittal of the accused.

As Maan went to the village with Rasheed, and acknowledged the miseries of farmers and labourers, the atrocious behaviour towards womens and workers, it wasn’t surprising or new. I thought about the Farm Bill 2020, the egregious condition of the working class amidsts pandemic, the walks they took barefoot and with empty bellies to go back to their hometowns as they were dealing with unemployment, lack of resources and ignorance of the Government and society. I remembered the Hathras case and other numerous sexual harassment as well as domestic violence cases. How I wish to get shocked by the problems of 1950s shown in the series, but unfortunately I was’t, I am rather acclimated to it. I have been there, heard it, been a part of it…even after 73 years, I have still seen it.

And as Rasheed told Maan “Aur bhi dukh hain Zamane mai mohabbat ke siva” (There are many other sorrows in this world besides love)… Indeed Rasheed, Indeed.

In the later episodes, as a communal riot emerged as Muslim and Hindu mobs were crossing roads, and one of them pushed the other, my mind instantly went towards the Delhi Riots. As Maan and Firoz were running together to save their lives, I connected with them and my eyes filled with tears as I remembered the misfortunate event that took place in Jamia Millia Islamia on 15th December 2019. Being a Jamia Student I remembered hiding under the table in the old library of my campus where Delhi Police showered us with tear gas shells.

When Maan and Firoz gets caught by the angry mob, and one of them asked Maan to say Gayatri Mantar to prove he’s not a muslim, and Maan obliged and did the same to save his and Firoz’s life, but Firoz couldn’t say it being a Muslim. I remembered the viral video on the internet that showed two people in the car, forcing a Muslim man to say Jai Mata Di, and were constantly abusing him.

As the main plot evolves, we see Lata falling in love with his schoolmate whose name’s not known up until the time when Lata’s friend warns her to not meet the guy, as he a Muslim, named Kabir Durrani. But Lata follows her heart and as predicted her mother took her away from the city to find her a suitable boy, and definitely not a Muslim. Tanishq’s advertisement flashed across my mind, the controversy revolving around how it depicts so called ‘love jihad’, whereas all it does is showcase communal harmony, and how they had to shut down the ad because apparently it hurts the “sentiment” of people. It’s been 73 years, and communal harmony still hurts the sentiment?

In the first episode, as the establishment of the mandir was taking place, it was already mentioned that there were bound to be protests regarding the same, still the government didn’t uphold the security levels and gave direct orders to shoot if the protesters didn’t stop. Not shockingly, it was a peaceful protest until the police started shooting, 20 people died. And as we see later in the Parliament meeting, the government was nonchalant to this action of police. Remember again, the attack on Jamia Millia Islamia, peaceful protest, tear gas shells and bullets… similar isn’t it? Potato-Patato, same thing…no?

Well, I believe nothing much has changed, the situation in 1947 and Modi era are almost the same, one way or the other. Except that in 1947, India was a newly democratic and independent country where freedom of speech was introduced, Jamia was a symbol of resistance and nationalism and people were the priority of the government. Whereas in Modi era, India is a newly non-democratic country, where freedom of speech is a myth, Jamia is an anti-national University, Islam is terrorism, people are least of the priority and Modi is God.

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News Network
January 23,2026

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The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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News Network
January 31,2026

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A fresh cache of files related to the investigation into the late convicted sex offender Jeffrey Epstein contains documents that reference President Donald Trump and other high-profile figures including Microsoft co-founder Bill Gates, Commerce Secretary Howard Lutnick and British billionaire Richard Branson.

Here are key details about mentions of the celebrities, none of whom have been accused of wrongdoing:

Donald Trump

The files included an FBI-compiled list of sexual assault allegations related to President Donald Trump -- many of them involving anonymous callers and unverified tips.

The allegations -- some secondhand -- were sent to the FBI's National Threat Operations Center which receives information by phone and electronically.

The document suggests that investigators followed up on a number of the tips. Some were deemed to lack credibility.

Trump has long denied any wrongdoing related to Epstein.

In a statement accompanying Friday's file dump, the Justice Department said: "Some of the documents contain untrue and sensationalist claims against President Trump that were submitted to the FBI right before the 2020 election. To be clear, the claims are unfounded and false."

Bill Gates

In a draft email among the documents, Epstein alleged Gates had engaged in extramarital affairs.

In the mail, Epstein wrote that his relationship with Gates had ranged from "helping Bill to get drugs, in order to deal with consequences of sex with russian girls, to facilitating his illicit trysts, with married women."

Richard Branson

Files show friendly relations between the two billionaires.

In an email sent to Epstein on Sept 11, 2013, Branson wrote "It was really nice seeing you yesterday. The boys in Watersports can't stop speaking about it! Any time you're in the area would love to see you. As long as you bring your harem!"

Elon Musk

The files contain numerous mail exchanges between Epstein and billionaire entrepreneur Elon Musk.

In November 2012, Epstein sent Musk an email asking "how many people will you be for the heli to island."

"Probably just Talulah and me. What day/night will be the wildest party on your island?" Musk replied.

Andrew Mountbatten-Windsor

The disgraced former prince invited Epstein to visit him at Buckingham Palace in September 2010 while the financier was making a trip to London.

An email exchange shows Epstein contacting Andrew to ask: "What time would you like me... we will also need... private time."

Andrew replied: "we could have dinner at Buckingham Palace and lots of privacy."

Howard Lutnick

Emails show that Epstein and businessman Lutnick -- currently Trump's commerce secretary -- made plans in December 2012 to lunch on Epstein's Caribbean island.

"We are heading towards you from St. Thomas" Lutnick's wife wrote to Epstein's secretary, asking where they should anchor.

Steve Tisch

Several mails suggested Epstein connected Steve Tisch, 76, producer of the movies "Forrest Gump" and "Risky Business" and the co-owner of the New York Giants football team, with multiple women.

In one exchange with Tisch, Epstein describes a woman as "russian, and rarely tells the full truth, but fun."

Zohran Mamdani's Mother, Filmmaker Mira Nair 

New York City Mayor Zohran Mamdani's mother, Mira Nair, attended an afterparty at convicted sex trafficker Ghislaine Maxwell's house for her 2009 film "Amelia", reveals a new set of Epstein files.

An email dated October 21, 2009, sent by publicist Peggy Siegal to Jeffrey Epstein, also surfaced in documents. The email, sent in the early hours, right after Siegal left the gathering, gives an insight into the afterparty. 

The party was also attended by former President Bill Clinton and Amazon CEO Jeff Bezos.

"Just left Ghislaine's townhouse...after party for film. Bill Clinton and Jeff Bezos were there...Jean Pigoni, director Mira Nair....etc," the email read.

The email described the reaction of guests to Nair's film as "tepid."

"Film received tepid reaction although women like it much more...Hillary Swank and Gen: at stupid party in Bloomingdales cheap sportwear department....very weird. Studio went for free party from store and windows for a month....Going to be in Wall Street 2 tomorrow ....more to come. xoxo Peg," the email read.

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News Network
January 23,2026

Mangaluru: The Karnataka Government Polytechnic (KPT), Mangaluru, has achieved autonomous status from the All India Council for Technical Education (AICTE), becoming the first government polytechnic in the country to receive such recognition in its 78-year history. The status was granted by AICTE, New Delhi, and subsequently approved by the Karnataka Board of Technical Education in October last year.

Officials said the autonomy was conferred a few months ago. Until recently, AICTE extended autonomous status only to engineering colleges, excluding diploma institutions. However, with a renewed national focus on skill development, several government polytechnics across India have now been granted autonomy.

KPT, the second-largest polytechnic in Karnataka, was established in 1946 with four branches and has since expanded to offer eight diploma programmes, including computer science and polymer technology. The institution is spread across a 19-acre campus.

Ravindra M Keni, the first dean of the institution, told The Times of India that AICTE had proposed autonomous status for polytechnic institutions that are over 25 years old. “Many colleges applied. In the first round, 100 institutions were shortlisted, which was further narrowed down to 15 in the second round. We have already completed one semester after becoming an autonomous institution,” he said. He added that nearly 500 students are admitted annually across eight three-year diploma courses.

Explaining the factors that helped KPT secure autonomy, Keni said the institution has consistently recorded 100 per cent admissions and placements for its graduates. He also noted its strong performance in sports, with the college emerging champions for 12 consecutive years, along with active student participation in NCC and NSS activities.

Autonomous status allows KPT to design industry-oriented curricula, conduct examinations, prepare question papers, and manage academic documentation independently. The institution can also directly collaborate with industries and receive priority funding from AICTE or the Ministry of Education. While academic autonomy has been granted, financial control will continue to rest with the state government.

“There will be separate committees for examinations, question paper setting, boards of studies, and boards of examiners. The institution will now have the freedom to conduct admissions without government notifications and issue its own marks cards,” Keni said, adding that new academic initiatives would be planned after a year of functioning under the autonomous framework.

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