End politics of caste and appeasement, says Adityanath

Agencies
October 16, 2017

Gorakhpur (UP), Oct 16: Uttar Pradesh Chief Minister Yogi Adityanath today stressed on freeing the state from the "politics of caste and appeasement" claiming it had been rampant during the last 15 years.

"To make Uttar Pradesh strong, it is essential that we end the kind of politics being practiced here during the past 15 years," he said.

Adityanath said the focus of his government is on farmers, women, villages and people who were not part of the mainstream, he said.

"India can become able and powerful only when UP becomes able and powerful, and for this we need to end the politics of caste and appeasement which has been in practice for the last 15-20 years," Adityanath, who arrived here on a two-day visit, said.

The chief minister was speaking at the 'bhumi pujan' ceremony of a GAIL gas terminal and a unit of the Hindustan Fertiliser Corporation Limited here.

The chief minister mentioned a number of works being undertaken by his government for the development of the state's Purvanchal region.

"We purchased 37 lakh metric tonnes of wheat from farmers whereas the previous government was not able to purchase even 30 lakh metric tonnes in five years...A new sugar mill will be inaugurated in Gorakhpur which will also have a distillery and power generation unit. It will increase employment in the area," he said.

Asking people concerned to send a proposal for setting up a central school as the one functioning earlier had been closed down, he said development is the way for everyone to move forward.

The chief minister is likely to come here again on October 19 to spend Diwali with the Vantangiyas, a community of forest dwellers.

The Vantangiya community comprises people who were brought from Mayanmar to plant trees for afforestation during the colonial rule.

The community faces problems related to the use of natural forest produce like fruits, honey, wax, wood and leaves to meet their daily needs as the forests inhabited by them are not considered as revenue villages.

Conversion of tribal-dominated forest villages to revenue villages under the provisions of the Scheduled Tribes and Other Traditional Forest Dwellers (Recognition of Forest Rights) Act will enable the administration to adopt development measures such as setting up of schools, dispensaries, and other such facilities in these villages.

Officials said the chief minister, who had raised issues concerning Vantangiyas in the Parliament as an MP, will accord revenue village status to 23 hamlets.

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Fairman
 - 
Monday, 16 Oct 2017

Yogiji said correct for others took 15years, he took less than a year

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News Network
January 23,2026

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The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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