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Karnataka Governor Thaawarchand Gehlot read only three lines from the 122-paragraph address prepared by the Congress-led state government while addressing the joint session of the Legislature on Thursday, effectively bypassing large sections critical of the BJP-led Union government.

The omitted portions of the customary Governor’s address outlined what the state government described as a “suppressive situation in economic and policy matters” under India’s federal framework. The speech also sharply criticised the Centre’s move to replace the Mahatma Gandhi National Rural Employment Guarantee Act (MGNREGA) with the Viksit Bharat–Guarantee for Rozgar and Ajeevika Mission (Gramin) Act, commonly referred to as the VB-GRAM (G) Act.

Governor Gehlot had earlier conveyed his objection to several paragraphs that were explicitly critical of the Union government. On Thursday, he confined himself to the opening lines — “I extend a warm welcome to all of you to the joint session of the State legislature. I am extremely pleased to address this august House” — before jumping directly to the concluding sentence of the final paragraph.

He ended the address by reading the last line of paragraph 122: “Overall, my government is firmly committed to doubling the pace of the State’s economic, social and physical development. Jai Hind — Jai Karnataka.”

According to the prepared speech, the Karnataka government demanded the scrapping of the VB-GRAM (G) Act, describing it as “contractor-centric” and detrimental to rural livelihoods, and called for the full restoration of MGNREGA. The state government argued that the new law undermines decentralisation, weakens labour protections, and centralises decision-making in violation of constitutional norms.

Key points from the unread sections of the speech:

•    Karnataka facing a “suppressive” economic and policy environment within the federal system

•    Repeal of MGNREGA described as a blow to rural livelihoods

•    VB-GRAM (G) Act accused of protecting corporate and contractor interests

•    New law alleged to weaken decentralised governance

•    Decision-making said to be imposed by the Centre without consulting states

•    Rights of Adivasis, women, backward classes and agrarian communities curtailed

•    Labourers allegedly placed under contractor control

•    States facing mounting fiscal stress due to central policies

•    VB-GRAM (G) Act accused of enabling large-scale corruption

Mumbai: In a shocking development, Shrikant Pangarkar, an accused in the murder of journalist-activist Gauri Lankesh and the Nalasopara arms and ammunition haul case, has won the Jalna Municipal Corporation (JMC) elections as an independent candidate.

Pangarkar emerged victorious from Ward 13 of the JMC, where he was pitted against the BJP. Notably, the Shiv Sena led by Deputy Chief Minister Eknath Shinde, which contested the Jalna civic polls independently, did not field a candidate in the ward.

Gauri Lankesh was shot dead outside her residence in Bengaluru on September 5, 2017. A prominent journalist and activist, she edited Lankesh Patrike, a Kannada weekly founded by her father P Lankesh, and later ran her own publication, Gauri Lankesh Patrike.

Pangarkar was granted bail by the Karnataka High Court on September 4, 2024, in the Lankesh murder case. Ahead of the October 2024 Assembly elections, he was inducted into the Shiv Sena and appointed chief of the party’s Jalna campaign. However, following intense criticism, then Chief Minister Eknath Shinde revoked the appointment.

A former municipal councillor in Jalna between 2001 and 2006 from the undivided Shiv Sena under late Balasaheb Thackeray, Pangarkar later became associated with right-wing organisations.

In August 2018, he was arrested by the Maharashtra Anti-Terrorism Squad (ATS) in connection with the seizure of crude bombs and weapons in Nalasopara and booked under the Explosives Act, Explosive Substances Act, and the Unlawful Activities (Prevention) Act (UAPA). He is currently out on bail in both cases.

Soon after the election results were declared, Pangarkar’s supporters celebrated his victory.

After filing his nomination, Pangarkar had said he was returning to politics after a gap and had received an encouraging response from voters. “I have worked for the people earlier and have returned again,” he said, asserting that the cases against him had no bearing on the elections. “The matter is before the court. I stand before the nyay devta. There may be misunderstandings by agencies, but the court will decide. I am 100 per cent innocent,” he maintained, adding that the Lankesh murder case was unrelated to the civic polls and pertained to Karnataka.

The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects.