Bihar: 26-yr-old woman faints during recruitment drive; gang-raped in moving ambulance

Agencies
July 26, 2025

Patna, July 26: A 26-year-old woman participating in a Home Guard recruitment drive in Bihar's Gaya district was allegedly gang-raped in a moving ambulance while being transported to a hospital after collapsing during a physical test. 

The alleged assault occurred on July 24, during an ongoing Home Guard recruitment exercise at the Bihar Military Police grounds in Bodh Gaya. According to police, the woman fainted while undertaking a physical endurance test, part of the standard procedure for recruitment.

Event organisers arranged for her immediate evacuation to a hospital via an ambulance stationed at the site. The woman alleges she was raped by multiple individuals inside the ambulance while she was unconscious.

Following her statement, an FIR was registered at the Bodh Gaya police station. 

An SIT and a forensic team were deployed to probe the matter. Within hours of the FIR, the SIT arrested two suspects identified as Vinay Kumar, the ambulance driver, and Ajit Kumar, the technician on board. The two men are currently in police custody and are being interrogated. Officials confirmed that CCTV footage from the vicinity has provided confirmation of the vehicle's route and timeline.

According to the police complaint, the woman stated that she lost consciousness during the physical test and was only partially aware of the events during the transport. She later informed police and hospital authorities that three to four men inside the ambulance raped her.

The incident has prompted a response from Lok Janshakti Party (Ram Vilas) MP Chirag Paswan. Mr Paswan criticised the law-and-order situation in Bihar and questioned the functioning of the state police.

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News Network
January 23,2026

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The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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