Qatari PM condemns Israeli strike on Doha as ‘state terrorism’; warns of right to respond

News Network

September 10, 2025

Qatari Prime Minister Sheikh Mohammed bin Abdulrahman Al Thani has condemned the Israeli strike on Doha as “state terrorism”, warning that Qatar will not tolerate violations of its sovereignty.

He made the comments during a televised press conference.

Israel struck the headquarters of Hamas’ political leadership in Qatar on Tuesday as the group’s top figures gathered to consider a U.S. proposal for a ceasefire in the Gaza Strip, according to sources.

Hamas said in a statement its top leaders survived the strike but that five lower-level members were killed, including the son of Khalil al-Hayya — Hamas’ leader for Gaza and its top negotiator — three bodyguards, and the head of al-Hayya’s office, according to sources.

The surprise strike will not be “overlooked,” and Qatar “reserves the right to respond to this blatant attack,” the prime minister told a press conference, according to RT.

“Today, we have reached a turning point for there to be a response from the entire region against such barbaric conduct,” he stressed. He accused Israeli PM Benjamin Netanyahu of disrupting regional stability for the sake of “narcissistic delusions” and personal gains. The Qatari PM added that his country will not abandon the role of a mediator in the region.

Comments

Add new comment

Coastaldigest.com reserves the right to delete or block any comments.
Coastaldigset.com is not responsible for its readers’ comments.
Comments that are abusive, incendiary or irrelevant are strictly prohibited.
Please use a genuine email ID and provide your name to avoid reject.

Film on Gaza girl ‘The Voice of Hind Rajab’ receives Oscar nomination

News Network

January 23,2026

The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects.

Comments