What happened in Syria was a US-Israel plot; Turkey just played a role: Iran’s supreme leader

News Network
December 11, 2024

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Ayatollah Seyyed Ali Khamenei, Leader of the Islamic Revolution, has called the Syrian conflict a "joint American and Zionist plot," while attributing a secondary role to a neighboring country in the crisis.

Speaking to a gathering in Tehran on Wednesday, Ayatollah Khamenei emphasized, "There should be no doubt that what happened in Syria was plotted in the command rooms of the United States and Israel. We have evidence for this."

The Leader also pointed to the involvement of a neighboring nation, widely understood to be Turkey, stating, "One of the neighboring countries of Syria also played a role, but the primary planners are the US and the Zionist regime."

Ayatollah Khamenei dismissed fears of a weakened resistance front following the takeover of parts of Syria by militants and Takfiri terrorists. He assured that resistance will emerge stronger despite the adversities. "This is what the resistance is, this is what the resistance front is. The more you push, the stronger it becomes; the more you commit crimes, the more motivated it becomes. The more you fight with them, the more widespread it will be, and I tell you, by the Divine Power, the domain of resistance will cover the entire region more than before."

The Leader rejected analysis suggesting that a weakened resistance front would lead to Iran’s decline. "That ignorant analyst, unaware of the meaning of resistance, imagines that when the resistance becomes weak, Islamic Iran will also become weak, and I say that by God's will and power and with the permission of God Almighty, Iran is strong and powerful and will only grow more powerful," Ayatollah Khamenei declared.

Highlighting the divisions among militant groups operating in Syria, the Leader noted, "Each group has its own agenda and all seek to stake out their own turf."

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News Network
January 23,2026

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The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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