'Are you holy? Will expose your scams too!’ Karnataka CM’s warning to Cong

News Network
April 16, 2022

Bengaluru, Apr 16: Karnataka Chief Minister Basavaraj Bommai today warned Congress for targeting his government over corruption, and maintained that the investigation into contractor Santosh Patil’s death will happen as per law.

“The Congress has announced protests. They talk about corruption. Are they clean? Are they holy? Let them first calculate the wealth they hold in their cupboards,” Bommai told reporters.

“They’re looking to set narratives, but it won’t be of any use. People of Karnataka have seen Congress for many years and their scams. We’ll have to place those scams before people. The Time will come,” Bommai said.

Bommai was upset with the Congress accusing the government of shielding senior BJP lawmaker K S Eshwarappa, who resigned as a minister in connection with Patil’s alleged suicide.

“The suicide allegation is under investigation. The post mortem is done and the forensic report will come. Based on that we will scientifically know what happened,” Bommai said.

Drawing a parallel with the K J George case, Bommai said the BJP had followed the law book better than the Congress.

“In the George case, there was a video accusing him and a death note. But, was he named in the FIR? Wasn’t there a cover-up attempt? The FIR was registered after a court direction. In fact, the family of the deceased had to go to court. But, we’ve registered the FIR based on the complaint,” he said, referring to Leader of the Opposition Siddaramaiah.

Bommai was referring to the alleged suicide of police officer M K Ganapathy, which forced Congress lawmaker K J George to resign from Siddaramaiah’s Cabinet in 2016.

On the Congress’ demand that Eshwarappa should be booked under the anti-corruption law, Bommai said: “Further sections will be inserted based on what the investigation finds. Let the probe take place.”

He also accused the Congress of being the “prosecutor and judge” in the Patil case. “It won’t work that way. People know of the things that were covered up when (Congress) was in power. So, which section should be invoked when…it’ll happen as per law. We haven’t interfered in any way,” he said.

Bommai rejected the Congress’ allegation that he had given Eshwarappa a clean chit. “There’s law and investigation will happen. The charge sheet will be examined in court,” he said.

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News Network
January 23,2026

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The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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