Satellite images show destruction in Syrian enclave

Al-Jazeera
March 3, 2018

Gaziantep, Mar 3: Al Jazeera has obtained satellite imagery from areas inside Eastern Ghouta, showing the destruction continuous government bombardment has caused.

The Damascus suburb has been targeted by relentless attacks since the Syrian government, aided by Russia, launched an air offensive on the largely rural area outside the capital on February 18.

The comparative images, provided to Al Jazeera by the United Nations, were taken on February 23 and March 2, and show damage done to buildings, infrastructure and agricultural areas.

"The images show us that there has been an increase and heavy bombardment in Eastern Ghouta, particularly in Ghouta," Einar Bjorgo, of the UN Operational Satellite Programme, told Al Jazeera.

That UN programme was responsible for taking and analysing the satellite images.

"It can be heard to distinguish between residential and businesses, but we do observe damage to a large different of buildings, including what seems to be residential areas," Bjorgo said.

According to Bjorgo, the quality of the pictures is high enough to distinguish between objects that are 50cm in diameter, which allows analysts to find even small traces of damage.

"We see certain areas where there is severe damage compared to a week ago," Bjorgo said.

Eastern Ghouta, home to nearly 400,000 people, has been besieged by President Bashar al-Assad's forces since opposition groups took control of the area in mid-2013.

While Russia and the Syrian government say they are aiming at armed groups, who it refers to as "terrorists", civilian neighbourhoods and sources of livelihood have been attacked frequently.

Since the government offensive started, at least 674 civilians have been killed, the Syrian volunteer group White Helmets claimed on Friday.

The aerial bombardment has drawn international condemnation, but a 30-day ceasefire unanimously voted for by the members of the UN Security Council last Saturday has largely failed to hold, as air raids have continued unabated.

On February 24, the Security Council voted in favourof a 30-day truce, which was violated only hours later by.

And, on February 26, Russia said it would implement a five-hour ceasefire daily as well as evacuation corridors to allow the area's 400,000 residents to escape the bombing campaign.

But residents say neither the ceasefire nor the corridors have been implemented.

Due to the siege, very little humanitarian aid has entered Eastern Ghouta, making access to basic supplies such as food and medicine highly restricted.

According to the UN, nearly 12 percent of children under five in Eastern Ghouta suffer from acute malnutrition.

This is the highest rate ever recorded since the start of the war in Syria, which has killed close to half a million people.

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News Network
February 1,2026

Bengaluru: Karnataka Deputy Chief Minister D K Shivakumar on Sunday criticised the Union Budget presented by Finance Minister Nirmala Sitharaman, claiming it offered no tangible benefit to the state.

Though he said he was yet to study the budget in detail, Shivakumar asserted that Karnataka had gained little from it. “There is no benefit for our state from the central budget. I was observing it. They have now named a programme after Mahatma Gandhi, after repealing the MGNREGA Act that was named after him,” he said.

Speaking to reporters here, the Deputy Chief Minister demanded the restoration of MGNREGA, and made it clear that the newly enacted rural employment scheme — VB-G RAM G — which proposes a 60:40 fund-sharing formula between the Centre and the states, would not be implemented in Karnataka.

“I don’t see any major share for our state in this budget,” he added.

Shivakumar, who also holds charge of Bengaluru development, said there were high expectations for the city from the Union Budget. “The Prime Minister calls Bengaluru a ‘global city’, but what has the Centre done for it?” he asked.

He also drew attention to the problems faced by sugar factories, particularly those in the cooperative sector, alleging a lack of timely decisions and support from the central government.

Noting that the Centre has the authority to fix the minimum support price (MSP) for agricultural produce, Shivakumar said the Union government must take concrete steps to protect farmers’ interests.

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News Network
January 23,2026

oscar.jpg

The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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