Shah Rukh Khan receives award at Sharjah International Book Fair, wins hearts with dialogues, poses

News Network
November 12, 2022

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Actor Shah Rukh Khan added another feather to his hat. On Friday he was honoured with the Global Icon of Cinema and Cultural Narrative award as he attended the 41st edition of the Sharjah International Book Fair (SIBF) 2022 at Expo Centre in Sharjah, UAE. 

“Hold an honest and a gentle heart… there’s nothing needed to lead this life more successfully than these two qualities in your heart,” said the King Khan addressing the gathering.

“There will be times when we have to cheat with life,” he said. “There will be times when we have to cheat with people around us but in that one moment of weakness , if you can keep an honest and a gentle heart, then you will have the greatest life Allah and God and Bhagwan has given you.”

SRK was accompanied by Oscar-winner Dr Resul Pookutty who was awarded the SIBF award for contribution in the advancement of cinematic arts sound design.

Crowds cheered wildly and stood up on chairs to catch a glimpse of their favorite actor inside the ballroom of the SIBF as he walked in wearing an all-black ensemble and his trademark dimpled smile. He blew kisses and waved at the hundreds of people who thronged the hall as screams of “I love you Shah Rukh” rang through the hall. Some of those in the audience had begun queuing up at early as 10am outside the Sharjah Expo Centre for the event that was scheduled to begin at 6pm.

Indians Greeshma and Mejo arrived at 2pm with their children, 8-year-old Kevin and 4-year-old Joanne. “We stood for some time, then we sat down, then one of us was lying down, it was a long wait but worth it,” said an elated Greeshma who has been a fan of Shah Rukh Khan since she was in school.

“I have never seen him in person, and I wasn’t about to miss this one opportunity I had. When we joined the queue, it was already quite long. We met a lady who had been waiting since 10 in the morning.”

She said her biggest supporter was her 8-year-old son Kevin. “I love Shah Rukh Khan uncle,” he said. “I really like the movie Happy New Year. He dances very well.”

There were several others who had waited for long hours to meet their favorite actor. Ugandan nationals Maya and Zurah were two of them. “I feel like jumping on stage and giving him a hug,” said a very excited Zurah, laughing and clapping her hands. “We have watched all his movies on YouTube, and we love him. When he laughs, we laugh. When he cries, we cry. There is really no other actor like him. We love him so much.”

The audience started being allowed into the hall starting from 5:30pm. Many others who weren’t lucky enough to get into the hall stood outside, hoping to catch a glimpse of him. Others watched his speech on the screens that had been set up throughout Sharjah Expo Center.

SRK will be returning to the big screen after a hiatus this year with three films. In a candid conversation with Indian journalist Faye D’Souza, he said he was rarely nervous before the release of a film.

“I think (my movies) are all going to be superhit films,” he said. “That is the belief I sleep with, that is the belief I wake up with. That is the belief that makes me at the age of 57 to go and do stunts, jump, work 18 hours a day because if I didn’t have that belief, that at the end of it all, I am going to make a great product that a lot of people will like, I would not be able to do it.”

The actor, who is widely regarded as one of the most successful actors in the world, ended the evening by enthralling his audiences with some of his most famous dialogues from movies like 'Baazigar', 'Om Shanti Om', 'Don' and 'Jab Tak Hai Jaan' as crowds cheered him on.

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News Network
January 23,2026

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The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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News Network
February 1,2026

Bengaluru: Karnataka Deputy Chief Minister D K Shivakumar on Sunday criticised the Union Budget presented by Finance Minister Nirmala Sitharaman, claiming it offered no tangible benefit to the state.

Though he said he was yet to study the budget in detail, Shivakumar asserted that Karnataka had gained little from it. “There is no benefit for our state from the central budget. I was observing it. They have now named a programme after Mahatma Gandhi, after repealing the MGNREGA Act that was named after him,” he said.

Speaking to reporters here, the Deputy Chief Minister demanded the restoration of MGNREGA, and made it clear that the newly enacted rural employment scheme — VB-G RAM G — which proposes a 60:40 fund-sharing formula between the Centre and the states, would not be implemented in Karnataka.

“I don’t see any major share for our state in this budget,” he added.

Shivakumar, who also holds charge of Bengaluru development, said there were high expectations for the city from the Union Budget. “The Prime Minister calls Bengaluru a ‘global city’, but what has the Centre done for it?” he asked.

He also drew attention to the problems faced by sugar factories, particularly those in the cooperative sector, alleging a lack of timely decisions and support from the central government.

Noting that the Centre has the authority to fix the minimum support price (MSP) for agricultural produce, Shivakumar said the Union government must take concrete steps to protect farmers’ interests.

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News Network
January 23,2026

Karnataka Governor Thaawarchand Gehlot read only three lines from the 122-paragraph address prepared by the Congress-led state government while addressing the joint session of the Legislature on Thursday, effectively bypassing large sections critical of the BJP-led Union government.

The omitted portions of the customary Governor’s address outlined what the state government described as a “suppressive situation in economic and policy matters” under India’s federal framework. The speech also sharply criticised the Centre’s move to replace the Mahatma Gandhi National Rural Employment Guarantee Act (MGNREGA) with the Viksit Bharat–Guarantee for Rozgar and Ajeevika Mission (Gramin) Act, commonly referred to as the VB-GRAM (G) Act.

Governor Gehlot had earlier conveyed his objection to several paragraphs that were explicitly critical of the Union government. On Thursday, he confined himself to the opening lines — “I extend a warm welcome to all of you to the joint session of the State legislature. I am extremely pleased to address this august House” — before jumping directly to the concluding sentence of the final paragraph.

He ended the address by reading the last line of paragraph 122: “Overall, my government is firmly committed to doubling the pace of the State’s economic, social and physical development. Jai Hind — Jai Karnataka.”

According to the prepared speech, the Karnataka government demanded the scrapping of the VB-GRAM (G) Act, describing it as “contractor-centric” and detrimental to rural livelihoods, and called for the full restoration of MGNREGA. The state government argued that the new law undermines decentralisation, weakens labour protections, and centralises decision-making in violation of constitutional norms.

Key points from the unread sections of the speech:

•    Karnataka facing a “suppressive” economic and policy environment within the federal system

•    Repeal of MGNREGA described as a blow to rural livelihoods

•    VB-GRAM (G) Act accused of protecting corporate and contractor interests

•    New law alleged to weaken decentralised governance

•    Decision-making said to be imposed by the Centre without consulting states

•    Rights of Adivasis, women, backward classes and agrarian communities curtailed

•    Labourers allegedly placed under contractor control

•    States facing mounting fiscal stress due to central policies

•    VB-GRAM (G) Act accused of enabling large-scale corruption

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