George Saunders wins Booker prize for 'Lincoln in the Bardo'

Agencies
October 18, 2017

London, Oct 18: American author George Saunders won the prestigious Man Booker Prize for fiction on Tuesday for Lincoln in the Bardo, a polyphonic symphony of a novel about restless souls adrift in the afterlife.

It is the second year in a row an American has won the £50,000 ($66,000) prize, which was opened to U.S. authors in 2014.

“I feel kind of numb,” said Saunders, who said disbelief and gratitude were his principal emotions on winning.

The book is based on a real visit President Abraham Lincoln made in 1862 to the body of his 11-year-old son Willie at a Washington cemetery. By turns witty, bawdy, poetic and unsettling, Lincoln in the Bardo juxtaposes events from Lincoln’s life and the U.S. Civil War through passages from historians both real and fictional with a chorus of otherworldly characters who are dead, but unwilling or unable to let go of life.

In Tibetan Buddhism, the bardo is the transition state between death and rebirth.

Baroness Lola Young, who chaired the Booker judging panel, said the novel “stood out because of its innovation, its very different styling, the way in which it paradoxically brought to life these almost-dead souls.”

Saunders was awarded the prize by Prince Charles’ wife, Camilla, Duchess of Cornwall, during a ceremony at London’s medieval Guildhall.

Accepting his trophy, Saunders said the book’s style may be complex, but the question posed at its heart is simple - Do we respond to uncertain times with fear and division, “or do we take that ancient great leap of faith and try to respond with love?”

The author said he resisted telling the story of Lincoln, an American icon, for 20 years. But the novel, which took four years to write, turned out to be pointedly timely in a divided United States.

Saunders said Lincoln had “a quiet, confident generosity of spirit.”

“He underwent I think a kind of spiritual growth spurt that we don’t see very often,” outgrowing the “lazy, racist attitudes” he was raised with, the author told reporters.

“His compassion and his heart kept growing out even as his own life was becoming more and more difficult,” Saunders said.

“Contrast that with the current administration that seems intent on shrinking the commonwealth of compassion until we can only care about people who are exactly like us. It’s a complete eradication of the American ideal.”

Lincoln in the Bardo is the first novel by the 58-year-old Saunders, an acclaimed short story writer who won the Folio Prize in 2014 for his darkly funny story collection Tenth of December.

A former oil industry engineer who teaches creative writing at Syracuse University in New York state, Saunders is probably best known outside literary circles for a commencement speech he gave in 2013 with the key message “Try to be kinder.” It went viral on the Internet, became an animated cartoon and was published as a book.

Saunders beat five other finalists- New Yorker Paul Auster’s quadruple coming-of-age story 4321; U.S. writer Emily Fridlund’s story of a Midwest teenager, History of Wolves; Scottish author Ali Smith’s Brexit-themed Autumn; British-Pakistani novelist Mohsin Hamid’s migration story Exit West; and British writer Fiona Mozley’s debut novel Elmet about a fiercely independent family under threat.

Saunders is the second American in a row to win the prize, founded in 1969 and until 2013 limited to writers from Britain, Ireland and the Commonwealth. The 2016 winner was Paul Beatty’s The Sellout.

The move to admit all English-language writers spurred fears among some British writers and publishers that Americans would come to dominate a prize whose previous winners include Salman Rushdie, Ben Okri, Margaret Atwood and Hilary Mantel.

Young said the judges “don’t look at the nationality of the writer. I can say that hand on heart it’s not an issue for us. The sole concern is the book.”

Prize organizers said 30 percent of the 144 books submitted by publishers for consideration this year were American, a figure slightly down from last year.

Young said the five jurors met for almost five hours Tuesday to choose the winner, finally agreeing unanimously on Saunders.

“I’m not going to pretend it was easy,” she said.

“We didn’t have any major meltdowns at all. But we did have quite fierce debates.”

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News Network
January 23,2026

oscar.jpg

The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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News Network
January 23,2026

Karnataka Governor Thaawarchand Gehlot read only three lines from the 122-paragraph address prepared by the Congress-led state government while addressing the joint session of the Legislature on Thursday, effectively bypassing large sections critical of the BJP-led Union government.

The omitted portions of the customary Governor’s address outlined what the state government described as a “suppressive situation in economic and policy matters” under India’s federal framework. The speech also sharply criticised the Centre’s move to replace the Mahatma Gandhi National Rural Employment Guarantee Act (MGNREGA) with the Viksit Bharat–Guarantee for Rozgar and Ajeevika Mission (Gramin) Act, commonly referred to as the VB-GRAM (G) Act.

Governor Gehlot had earlier conveyed his objection to several paragraphs that were explicitly critical of the Union government. On Thursday, he confined himself to the opening lines — “I extend a warm welcome to all of you to the joint session of the State legislature. I am extremely pleased to address this august House” — before jumping directly to the concluding sentence of the final paragraph.

He ended the address by reading the last line of paragraph 122: “Overall, my government is firmly committed to doubling the pace of the State’s economic, social and physical development. Jai Hind — Jai Karnataka.”

According to the prepared speech, the Karnataka government demanded the scrapping of the VB-GRAM (G) Act, describing it as “contractor-centric” and detrimental to rural livelihoods, and called for the full restoration of MGNREGA. The state government argued that the new law undermines decentralisation, weakens labour protections, and centralises decision-making in violation of constitutional norms.

Key points from the unread sections of the speech:

•    Karnataka facing a “suppressive” economic and policy environment within the federal system

•    Repeal of MGNREGA described as a blow to rural livelihoods

•    VB-GRAM (G) Act accused of protecting corporate and contractor interests

•    New law alleged to weaken decentralised governance

•    Decision-making said to be imposed by the Centre without consulting states

•    Rights of Adivasis, women, backward classes and agrarian communities curtailed

•    Labourers allegedly placed under contractor control

•    States facing mounting fiscal stress due to central policies

•    VB-GRAM (G) Act accused of enabling large-scale corruption

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News Network
February 5,2026

In an era where digital distractions are the primary rival to academic excellence, the Karnataka Education Department is taking the fight directly to the living room. As the SSLC (Class 10) annual examinations loom, officials have launched a localized "digital strike" to ensure students aren't losing their competitive edge to scrolling or soap operas.

The 7-to-9 Lockdown

The department has issued a formal directive urging—and in some cases, enforcing via home visits—a total blackout of mobile phones and television sets between 7:00 PM and 9:00 PM. This two-hour window is being designated as "sacred study time" across the state until the examinations conclude on April 2.

Key Pillars of the Initiative:

•    Doorstep Advocacy: Teachers are transitioning from classrooms to living rooms, meeting parents to explain the psychological benefits of a distraction-free environment.

•    Parental Accountability: The campaign shifts the burden of discipline from the student to the household, asking parents to lead by example and switch off their own devices.

•    The Timeline: The focus remains sharp on the upcoming exam block, scheduled from March 18 to April 2.

"The objective is simple: uninterrupted focus. We are reclaiming the evening hours for the students, ensuring their environment is as prepared as their minds," stated a senior department official.

Student vs. Reality

While the student community has largely welcomed the "forced focus"—with many admitting they lack the willpower to ignore notifications—the move has sparked a debate on enforceability. Without a "TV Police," the success of this initiative rests entirely on the shoulders of parents and the persuasive power of visiting educators.

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