Covid effect: Several theaters in Karnataka adopt wait & watch policy

News Network
October 16, 2020

Bengaluru, Oct 16: Despite the Union government giving its nod to screen movies in theatres, only a handful of hall owners have come forward to open theatres from Friday.

Speaking to news agency, a theatre owner on condition of anonymity said that many theatre owners are sceptical to screen movies on the first day.

“Most of us are adopting the wait and watch policy in Karnataka, as we want to read the pulse of the viewers before opening the theatres,” he explained.

Karnataka Theatre Owners’ Association president K.V. Chandrashekhar said that there are 650 single screen theatres in the state and of this, 140 are located in Bengaluru alone, while 260 screens operate in various multiplexes across the state.

“Until now, the association has not got a clear assurance from its members as to who are going to open their theatres from Friday. A clear picture will only emerge on Friday,” he said.

He added that the biggest fear among the theatre owners is how the viewers will react. “It is not easy to predict now, as it will take at least five or six weeks to assess the correct picture about the theatre business,” he explained.

However, another source said that only about 15 to 20 theatre owners have explicitly shown interest to open on the first day.

“Covid has created panic among the people and we are no different. It is very clear that when the markets are in red, one cannot expect great returns. Film watching is always the last option for a common man, as his priorities like food and shelter should be fulfilled first. Then only he or she can think of coming for entertainment,” a theatre owner said.

However, most of the theatre owners in Bengaluru were busy cleaning and dusting the theatres, which are gearing up to screen movies.

The manager of a famous theatre in the Majestic area said on condition of anonymity that the viewers’ interest in watching movies in theatres is on a downward trend for the last two decades, ever since colour TVs coupled with cable network came into dominance.

The Majestic area once housed more than two dozen prominent theatres, but now half all of them have been converted into shopping complexes, he said.

According to him, in the 70s viewers used to come to Nartaki, a famous theatre, just for the sake of enjoying the ambience of the theatre. But now it is no more an attraction to the young crowd.

“Even multiplexes do not enthuse the viewers anymore. As people are getting accustomed to small screen viewing, viewers are deserting the theatres,” he said.

“It may not be easy for us to generate enough revenue to pay our staff’s salaries. We have to see how the viewers respond to the movies,” he added.

Speaking to news agency, noted script writer Satymurthy Ananduru said that it is not easy to attract viewers back to the theatres as most of the viewers have moved to the OTT platforms for their daily dose of entertainment.

“If the movie theatres are going to release old movies or movies which have already been streamed online, it would be difficult to attract viewers back to the theatres,” Ananduru said.

He observed that Bengaluru has always been cosmopolitan in nature even before the IT boom happened, unlike the neighbouring states which are full of avid movie buffs.

“Only one movie star enjoyed such craze — late thespian Dr Raajkumar. Such being the case, it is difficult to attract viewers back to the theatres in Bengaluru,” he said.

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News Network
January 23,2026

Mangaluru: The Karnataka Government Polytechnic (KPT), Mangaluru, has achieved autonomous status from the All India Council for Technical Education (AICTE), becoming the first government polytechnic in the country to receive such recognition in its 78-year history. The status was granted by AICTE, New Delhi, and subsequently approved by the Karnataka Board of Technical Education in October last year.

Officials said the autonomy was conferred a few months ago. Until recently, AICTE extended autonomous status only to engineering colleges, excluding diploma institutions. However, with a renewed national focus on skill development, several government polytechnics across India have now been granted autonomy.

KPT, the second-largest polytechnic in Karnataka, was established in 1946 with four branches and has since expanded to offer eight diploma programmes, including computer science and polymer technology. The institution is spread across a 19-acre campus.

Ravindra M Keni, the first dean of the institution, told The Times of India that AICTE had proposed autonomous status for polytechnic institutions that are over 25 years old. “Many colleges applied. In the first round, 100 institutions were shortlisted, which was further narrowed down to 15 in the second round. We have already completed one semester after becoming an autonomous institution,” he said. He added that nearly 500 students are admitted annually across eight three-year diploma courses.

Explaining the factors that helped KPT secure autonomy, Keni said the institution has consistently recorded 100 per cent admissions and placements for its graduates. He also noted its strong performance in sports, with the college emerging champions for 12 consecutive years, along with active student participation in NCC and NSS activities.

Autonomous status allows KPT to design industry-oriented curricula, conduct examinations, prepare question papers, and manage academic documentation independently. The institution can also directly collaborate with industries and receive priority funding from AICTE or the Ministry of Education. While academic autonomy has been granted, financial control will continue to rest with the state government.

“There will be separate committees for examinations, question paper setting, boards of studies, and boards of examiners. The institution will now have the freedom to conduct admissions without government notifications and issue its own marks cards,” Keni said, adding that new academic initiatives would be planned after a year of functioning under the autonomous framework.

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News Network
January 31,2026

Roy.jpg

Bengaluru: The shooting incident involving CJ Roy, founder of the Confident Group, has once again put the spotlight on a businessman whose life has swung between flamboyant global success and persistent controversy at home.

Though Roy’s business interests extended across continents, his roots lay firmly in Karnataka. An alumnus of Christ School in Bengaluru, he later moved to Tumakuru to pursue an engineering degree. Those familiar with his early years describe him as intensely ambitious, beginning his career as a salesman at a small electronics firm dealing in computers.

Roy’s entry into large-scale real estate came through the Crystal Group, where he worked closely with Latha Namboothiri and rose from manager to director. However, the launch of the Confident Group in 2005 was clouded by industry speculation. Insiders speak of a fallout involving alleged “benami” properties and claims of deception that ultimately led to his independent venture—an episode Roy spent years trying to distance himself from, according to associates.

A tale of two cities

Roy’s professional trajectory diverged sharply across geographies.

In Dubai, he built a reputation as a bold and efficient developer, completing massive luxury residential projects in record time—some reportedly within 11 months. His rapid project delivery and lavish lifestyle in the Emirates earned him admiration and visibility in the real estate sector.

In Bengaluru, however, his image remained far more fractured. Sources say Roy stayed away from the city for several years amid disputes over unpaid dues to vendors and suppliers. Several projects were allegedly stalled, with accusations of unfulfilled commitments to cement and steel suppliers continuing to follow him.

Roy’s return to Bengaluru’s business and social circles began around 2018, marked by a conscious attempt at rebranding. His appointment as Honorary Consul of the Slovak Republic added diplomatic legitimacy, which he complemented with visible CSR initiatives, including ambulance donations and high-profile charity events.

Heavy police presence in Langford Town

Following the incident, police personnel from the Central division were deployed outside the Confident Group building in Langford Town, which also houses the Slovak Honorary Consulate in Bengaluru.

The otherwise busy premises near Hosur Road wore a deserted look on Friday, reflecting the shock and uncertainty that followed the tragedy.

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News Network
January 23,2026

oscar.jpg

The Voice of Hind Rajab, inspired by the tragic final moments of a young Palestinian girl killed by Israeli fire in Gaza, has been nominated for an Academy Award in the Best International Feature Film category.

Directed by Tunisian filmmaker Kaouther Ben Hania, the film recounts the true story of five-year-old Hind Rajab, who lost her life in January 2024 while fleeing Israeli bombardment with her family.

The film features the real audio of Hind’s desperate call to the Palestinian Red Crescent Society, where she pleaded for help moments before the vehicle she was in was struck by 355 bullets.

The haunting narrative begins with a brief call made from the besieged Tel al-Hawa neighborhood of Gaza, where gunfire and armored vehicles drowned out every sound.

After witnessing the brutal killing of her family, she made a trembling call, her voice reduced to a whisper as she spoke of the massacre and her unbearable loneliness as the sole survivor.

Premiering at the Venice International Film Festival in September 2025, The Voice of Hind Rajab garnered widespread acclaim, receiving a record-setting 23-minute standing ovation and the Silver Lion Grand Jury Prize, the festival’s second-highest honor.

In her acceptance speech, Ben Hania dedicated the film to humanitarian workers and first responders in Gaza, emphasizing that Hind's voice symbolizes countless civilians affected by war.

She aims to give voice to victims often reduced to mere statistics, highlighting the broader suffering of civilians in war zones.

The film’s Oscar nomination underscores its powerful storytelling and ethical approach to depicting real-life tragedy, making it a crucial piece of contemporary cinema.

It serves not only as a narration of individual tragedy but also as an artistic and documentary response to the silence and censorship that often overshadow West Asian struggles and wars.

Using an innovative method she calls docufiction, Ben Hania bridges unvarnished reality and narrative structure, creating a work that is both artistically valuable and socially impactful.

Born in 1977 in Sidi Bouzid—later the epicenter of the Arab revolution—her background profoundly influenced her worldview and artistic approach.

She is a graduate of the Higher School of Audiovisual Arts of Tunis, Pantheon-Sorbonne University, and La Fémis in Paris, where her studies equipped her with the technical and theoretical tools needed to address complex subjects. 

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