Mysore Huseni's art puzzles enthusiasts in Mangalore

July 6, 2012

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Mangalore, July 6: To turn a simple piece of paper into a conversation piece using just folds, bends and cuts is a talent a few can boast. And with the intricately fashioned masks and designs — done only with a few decisive cuts, Syed Fakruddin Huseni can truly claim to have mastered the art form.

The Mandya born gifted artist S F Huseni, who is popularly called Mysore Huseni is now inspiring younger generation artists of Mangalore for making experiments by organising serious of programmes. In association with Omkara Friends of Kadapara and Journey Theatre he presented a rare programme on Thursday at Bovi School in Uchila on Thursday. On Friday the programme was organised at government school at Someshwar Uchil. On Saturday two separate programmes are scheduled at Bhagavati Education Trust and Anandashrama School. He has also plans to demonstrate his art in front of public at Someshwar beach on Sunday.

As the artist grooms his line drawing skills, Mr Huseni has come out with many new ideas and forms. The line drawings of Ganesha is among his best works done so far. These drawings are those which is done in a single line to make the outline sketch of the picture is drawn using a black ball pen.

He has to his credit of making more than 4,000 line drawings, including Ganesha. “Ganesha is an inspiration to me. I have been fascinated by the picture of Ganesha since my childhood days. The trunk of the Ganesha is just enough to represent his image,”?he says.

Mr. Huseni fused sanjhi, the traditional Indian paper cutting art form, and kirigami, the Japanese technique, to create paper art that has won him many laurels, including the Mysore Dasara Award.

He started experimenting with the play of lights captured on a camera. The result of this can be seen in the surreal images titled, Diffraction of Light on a CD.

The simple concept uses an umbrella to guide beams of light on to a compact disc, which reflects the beam onto a wall of a dark room. The movement of the umbrella changes the angle by which the light strikes the CD, and, hence, moves the beam of light along the wall. This movement is then captured in a camera that is set on long exposure.

Though this kind of form was attempted first by Picasso, Mr. Huseni claims he went further to create a unique art form after he followed his visually-challenged mother Zenatunnisa's advice.

“I was using a blanket to change the direction of light, and apart from not achieving the required designs, it would also make me very sick. When my mother got to know of this, she suggested I use an umbrella,” he said.

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News Network
February 4,2026

Mangaluru: Urban local bodies and gram panchayats should make the use of Kannada on signboards mandatory while issuing trade licences to commercial establishments, Dakshina Kannada Deputy Commissioner Darshan HV said. He also called for regular inspections to ensure compliance.

Presiding over the District Kannada Awareness Committee meeting at the deputy commissioner’s office, Darshan said the city corporation would be directed to ensure that shops operating in malls prominently display their names in Kannada. “All commercial establishments, including shops, companies, offices and hotels, must mandatorily display their names in Kannada on signboards,” he said.

The deputy commissioner added that the National Highways Authority of India (NHAI) would be instructed to include Kannada on signboards along national highways. Banks, he said, would be directed through committee meetings to provide application forms in Kannada.

“Even if English-medium schools and colleges impart education in English, their signboards must display the institution’s name in Kannada. Steps will also be taken to ensure that private buses display place names in Kannada,” Darshan said.

During the meeting, committee members raised concerns over the closure of Kannada-medium schools in rural areas due to a shortage of teachers and stressed the need for immediate corrective measures. They also pointed out that several industries employ workers from other states while overlooking local candidates.

Members further demanded that nationalised banks provide deposit and withdrawal slips in Kannada. It was brought to the deputy commissioner’s notice that the presence of staff without knowledge of Kannada in rural branches of nationalised banks is causing hardship to local customers.

Meanwhile, MP Srinath, president of the District Kannada Sahitya Parishat, urged the district administration to allot land for the construction of a district Kannada Bhavana in Mangaluru.

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News Network
February 1,2026

Bengaluru: Karnataka Deputy Chief Minister D K Shivakumar on Sunday criticised the Union Budget presented by Finance Minister Nirmala Sitharaman, claiming it offered no tangible benefit to the state.

Though he said he was yet to study the budget in detail, Shivakumar asserted that Karnataka had gained little from it. “There is no benefit for our state from the central budget. I was observing it. They have now named a programme after Mahatma Gandhi, after repealing the MGNREGA Act that was named after him,” he said.

Speaking to reporters here, the Deputy Chief Minister demanded the restoration of MGNREGA, and made it clear that the newly enacted rural employment scheme — VB-G RAM G — which proposes a 60:40 fund-sharing formula between the Centre and the states, would not be implemented in Karnataka.

“I don’t see any major share for our state in this budget,” he added.

Shivakumar, who also holds charge of Bengaluru development, said there were high expectations for the city from the Union Budget. “The Prime Minister calls Bengaluru a ‘global city’, but what has the Centre done for it?” he asked.

He also drew attention to the problems faced by sugar factories, particularly those in the cooperative sector, alleging a lack of timely decisions and support from the central government.

Noting that the Centre has the authority to fix the minimum support price (MSP) for agricultural produce, Shivakumar said the Union government must take concrete steps to protect farmers’ interests.

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coastaldigest.com news network
February 5,2026

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Mangaluru: The KSRTC Mangaluru division has rolled back the fare hike on buses operating on the Mangaluru–Kasaragod route following the suspension of toll collection at the Arikkady toll plaza near Kumbala in Kasaragod district.

The fare revision had been implemented after the National Highways Authority of India (NHAI) began toll collection at the Arikkady plaza on NH-66. As a result, fares for ordinary and Rajahamsa services were increased by ₹7 and ₹10, respectively, raising the bus fare from Mangaluru to Kasaragod from ₹81 to ₹88.

Senior Divisional Controller of KSRTC’s Mangaluru division, Rajesh Shetty, said the fares were reduced after toll collection at the Arikkady plaza was stopped. “The tollgate began operations on January 13, and the toll amount was deducted from the FASTag accounts of KSRTC buses operating on the route. Following an order from the central government to suspend toll collection, KSRTC has also withdrawn the additional fare with immediate effect,” he said.

At present, vehicles travelling on the Mangaluru–Kasaragod route pay toll only at the Talapady toll plaza. The toll for light motor vehicles (LMVs) at Talapady is ₹80 for a same-day return, while heavy vehicles, including buses, are charged ₹250. At Arikkady, the toll rates were ₹130 for LMVs (same-day return) and ₹450 for buses.

Protests against Arikkady toll plaza

The Arikkady toll plaza witnessed widespread protests from January 12, the day toll collection commenced. On the second day, an action committee led by Manjeshwar MLA A K M Ashraf launched an indefinite protest at the site. Except for the BJP, leaders and workers of most major political parties participated in the agitation.

On the night of January 14, a large number of protesters gathered at the plaza and vandalised property, following which authorities temporarily suspended toll operations. The BJP later also expressed opposition to the toll plaza and criticised NHAI’s decision. 

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